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Fusion world | Innovative approaches and how ITER can help
More than 30 private fusion companies from around the world attended ITER's inaugural Private Sector Fusion Workshop in May 2024. Four of them participated in a [...]
Robert Aymar (1936-2024) | A vision turned into reality
Robert Aymar, who played a key role in the development of fusion research in France and worldwide, and who headed the ITER project for 10 years (1993-2003) befo [...]
Gathered on the ITER platform for a group photo (the first one since 2019, in pre-Covid times) the crowd looks impressive. Although several hundred strong, it r [...]
Vacuum vessel | Europe completes first of five sectors
The ITER assembly teams are gearing up to receive a 440-tonne machine component shipped from Italy—sector #5, the first of five vacuum vessel sectors expected f [...]
SOFT 2024 | Dublin conference highlights progress and outstanding challenges
Nestled in the residential suburb of Glasnevin, Dublin City University is a fairly young academic institution. When it opened its doors in 1980 it had just 200 [...]
His black and white images of the stellarator Wendelstein 7-X have more resemblance to an alien spaceship than a fusion device. And, through his lens, the rather prosaic Poloidal Field Coils Winding Facility at ITER takes on another dimension.
Photo: Christian Luenig
German photographer Christian Luenig is well respected in the fields of documentary photography, photojournalism and photo arts. He has won many awards for his interpretation of architecture, technology and research — and even the occasional rave party. One of his most recent prizes was received for work on two German fusion devices, the Textor tokamak in Juelich and the Wendelstein stellarator in Greifswald.
"I have always been fascinated by capturing complex scientific projects, by translating high-tech into art. When I read about Wendelstein being assembled at the Max-Planck-Institute for Plasmaphysics I thought—I have to get in there! And so it was..."
It comes thus as no surprise that — having made contact with the fusion community - he wished to shoot the "the making of" at ITER.
The characteristic texture and particular lighting of Luenig's images comes from a technique called "tone mapping." Multiple exposures of one object are digitally layered and then rendered by a special program. The result is quite dramatic on metal surfaces such as fusion devices.
The image gallery below shows some of the results from his maiden visit to the ITER worksite. He will certainly be back once the assembly of the ITER machine is in full swing to create art from the ITER machine.
For more information about Christian Luenig and to view his work, visit www.arbeitsblende.de. (All images: Christian Lünig/ VG Bild und Kunst)
