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News & Media

Latest ITER Newsline

  • IAEA and ITER | Even closer cooperation

    Under Practical Arrangements signed in June, the International Atomic Energy Agency and the ITER Organization will be expanding and deepening a long history of [...]

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  • Neutral Beam Test Facility | High voltage component for MITICA

    Creating reliable high-energy neutral beams at ITER parameters, from a negative ion source, requires such a large technological leap that the components of the [...]

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  • 24th ITER Council | En route to First Plasma, 63% of the work is done

    The ITER Council has met for the twenty-fourth time since the signature of the ITER Agreement. Representatives from China, the European Union, India, Japan, Kor [...]

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  • Upper ports | A very international effort

    The 18 upper ports of the ITER vacuum vessel are procured by Russia, manufactured in Germany, and mounted (in part) on the vessel sectors by contractors in Ital [...]

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  • Paint job | One level done, five to go

    The job is done and the effect is spectacular. At the deepest basement level (B2) of the Tokamak Building, the floors, walls, and ceilings are now perfectly whi [...]

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Of Interest

See archived entries

ITER — a piece of art

Sabina Griffith

His black and white images of the stellarator Wendelstein 7-X have more resemblance to an alien spaceship than a fusion device. And, through his lens, the rather prosaic Poloidal Field Coils Winding Facility at ITER takes on another dimension.

Photo: Christian Luenig (Click to view larger version...)
Photo: Christian Luenig
German photographer Christian Luenig is well respected in the fields of documentary photography, photojournalism and photo arts. He has won many awards for his interpretation of architecture, technology and research — and even the occasional rave party. One of his most recent prizes was received for work on two German fusion devices, the Textor tokamak in Juelich and the Wendelstein stellarator in Greifswald.

"I have always been fascinated by capturing complex scientific projects, by translating high-tech into art. When I read about Wendelstein being assembled at the Max-Planck-Institute for Plasmaphysics I thought—I have to get in there! And so it was..."

It comes thus as no surprise that — having made contact with the fusion community - he wished to shoot the "the making of" at ITER. 

The characteristic texture and particular lighting of Luenig's images comes from a technique called "tone mapping." Multiple exposures of one object are digitally layered and then rendered by a special program. The result is quite dramatic on metal surfaces such as fusion devices.

The image gallery below shows some of the results from his maiden visit to the ITER worksite. He will certainly be back once the assembly of the ITER machine is in full swing to create art from the ITER machine.

For more information about Christian Luenig and to view his work, visit www.arbeitsblende.de. (All images: Christian Lünig/ VG Bild und Kunst)
 



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