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Latest ITER Newsline

  • Interview | Michel Huguet on the long chain of "fusion builders"

    Some thirty years ago, the ITER Project entered what is called the Engineering Design Activities, a phase which aimed at providing the engineering drawings and [...]

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  • Assembly | Long-term coil park

    Manufactured in China under a European contract, poloidal field coil #6 (PF6) was the first magnet to be installed in the assembly pit in late April 2021. Saili [...]

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  • On site | Safety comes first

    Whether they spend their day in an office at ITER or on one of the upper floors of the Tokamak Complex, driving a vehicle or manoeuvring a crane, every per [...]

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  • Visitors | EU Commissioner for Energy: "ITER is a unique project in frontier science"

    Kadri Simson, European Union Commissioner for Energy, spent Friday 17 September at ITER. In the course of her visit to key site installations and during the pre [...]

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  • Image of the week | 2nd vacuum vessel sector passes site tests

    On 27 August, the ITER community celebrated the safe arrival of vacuum vessel sector #1(7)—the second of four sectors expected from the Korean Domestic Agency. [...]

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Of Interest

See archived entries

ITER — a piece of art

His black and white images of the stellarator Wendelstein 7-X have more resemblance to an alien spaceship than a fusion device. And, through his lens, the rather prosaic Poloidal Field Coils Winding Facility at ITER takes on another dimension.

Photo: Christian Luenig (Click to view larger version...)
Photo: Christian Luenig
German photographer Christian Luenig is well respected in the fields of documentary photography, photojournalism and photo arts. He has won many awards for his interpretation of architecture, technology and research — and even the occasional rave party. One of his most recent prizes was received for work on two German fusion devices, the Textor tokamak in Juelich and the Wendelstein stellarator in Greifswald.

"I have always been fascinated by capturing complex scientific projects, by translating high-tech into art. When I read about Wendelstein being assembled at the Max-Planck-Institute for Plasmaphysics I thought—I have to get in there! And so it was..."

It comes thus as no surprise that — having made contact with the fusion community - he wished to shoot the "the making of" at ITER. 

The characteristic texture and particular lighting of Luenig's images comes from a technique called "tone mapping." Multiple exposures of one object are digitally layered and then rendered by a special program. The result is quite dramatic on metal surfaces such as fusion devices.

The image gallery below shows some of the results from his maiden visit to the ITER worksite. He will certainly be back once the assembly of the ITER machine is in full swing to create art from the ITER machine.

For more information about Christian Luenig and to view his work, visit www.arbeitsblende.de. (All images: Christian Lünig/ VG Bild und Kunst)
 



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