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News & Media

Latest ITER Newsline

  • Rendezvous | D and T to meet at JET in 2020

    In 2020, for the first time in more than 20 years, a reaction that only occurs in the core of the stars will be produced on Earth in a man-made machine. In the [...]

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  • On site | MOMENTUM believes in recent graduates

    It is rare for students to leave university and immediately begin work on a globally significant project. But thanks to the graduate program run by the project' [...]

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  • Tokamak Pit | Big steel elbow in place

    A cryostat feedthrough delivered by the Chinese Domestic Agency has become the first metal component of the machine to be installed in the Tokamak Pit, in an op [...]

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  • Neutral beam source | Europe awards EUR 20 million contract

    The contract, awarded to ALSYOM-SEIV (ALCEN group, France), launches the manufacturing phase for the beam source that will come on line in 2022 as part of the f [...]

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  • Image of the week | US Under Secretary of Science tours site

    Five months, almost to the day, after the US Secretary of Energy Rick Perry visited ITER, his deputy, Under Secretary for Science Paul Dabbar, stood by the same [...]

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Of Interest

See archived entries

ITER — a piece of art

Sabina Griffith

His black and white images of the stellarator Wendelstein 7-X have more resemblance to an alien spaceship than a fusion device. And, through his lens, the rather prosaic Poloidal Field Coils Winding Facility at ITER takes on another dimension.

Photo: Christian Luenig (Click to view larger version...)
Photo: Christian Luenig
German photographer Christian Luenig is well respected in the fields of documentary photography, photojournalism and photo arts. He has won many awards for his interpretation of architecture, technology and research — and even the occasional rave party. One of his most recent prizes was received for work on two German fusion devices, the Textor tokamak in Juelich and the Wendelstein stellarator in Greifswald.

"I have always been fascinated by capturing complex scientific projects, by translating high-tech into art. When I read about Wendelstein being assembled at the Max-Planck-Institute for Plasmaphysics I thought—I have to get in there! And so it was..."

It comes thus as no surprise that — having made contact with the fusion community - he wished to shoot the "the making of" at ITER. 

The characteristic texture and particular lighting of Luenig's images comes from a technique called "tone mapping." Multiple exposures of one object are digitally layered and then rendered by a special program. The result is quite dramatic on metal surfaces such as fusion devices.

The image gallery below shows some of the results from his maiden visit to the ITER worksite. He will certainly be back once the assembly of the ITER machine is in full swing to create art from the ITER machine.

For more information about Christian Luenig and to view his work, visit www.arbeitsblende.de. (All images: Christian Lünig/ VG Bild und Kunst)
 



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