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News & Media

Latest ITER Newsline

  • Tokamaks | Different approaches around the world

    Look east, look west ... tokamak projects are underway in different parts of the world. All of them are benefiting from and complementing the pioneering work al [...]

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  • Construction site | A guide to work underway

    Just like the ITER worksite, drone photography is also making progress. This view of the ITER platform is the sharpest and most detailed of all those we have pu [...]

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  • Vacuum vessel repair | A portfolio

    Whether standing vertically in the Assembly Hall or lying horizontally in the former Cryostat Workshop now assigned to component repair operations, the non-conf [...]

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  • European Physical Society | ITER presents its new plans

    The new ITER baseline and its associated research plan were presented last week at the 50th annual conference of the European Physical Society Plasma Physics Di [...]

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  • Image of the week | The platform's quasi-final appearance

    Since preparation work began in 2007 on the stretch of land that was to host the 42-hectare ITER platform, regular photographic surveys have been organized to d [...]

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Of Interest

See archived entries

ITER NEWSLINE -

Image of the week

When the Pit inspires an artist

On a Sunday morning, when all is silent and still on the ITER platform, an eerie dimension is added to the Tokamak Pit.

Michela Meneguzzi, a 28 year old artist from Italy, spent five hours in the Tokamak Pit on Sunday—on the very spot where the ITER machine will be installed beginning next year. (Click to view larger version...)
Michela Meneguzzi, a 28 year old artist from Italy, spent five hours in the Tokamak Pit on Sunday—on the very spot where the ITER machine will be installed beginning next year.
Hidden eyes seem to peer through the openings in the 30-metre-high circular wall; the blend of skylight filtering through the edges of the lid above and the harsh yellowish lighting from halogen projectors create an other-world atmosphere.

When planning for the Leonardo da Vinci event, ITER Communication felt that the place, in its unique strangeness, could inspire an artist—especially one, like young Michela Meneguzzi, whose work includes renditions of nocturnal scenes in mysterious, unidentified places.

An image of the ITER Tokamak Pit on one side, a quick sketch of the machine on the other. Michela left her work to ITER, but returned to Italy with a real sense of the importance of ITER. (Click to view larger version...)
An image of the ITER Tokamak Pit on one side, a quick sketch of the machine on the other. Michela left her work to ITER, but returned to Italy with a real sense of the importance of ITER.
Michela was thrilled at the proposal. Before installing her easel on the very floor where the ITER machine will be assembled, she read everything she could on fusion and tokamaks. "I realized what this project means. I couldn't believe my luck."

The 28-year-old artist spent close to five hours in the Pit to capture the essence of the place, preparing a sketch that she would finalize the following day onstage. Upon folding her easel, she mused: "What could be more exciting than this experience? Maybe painting on the Moon, or on Planet Mars ..."

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