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News & Media

Latest ITER Newsline

  • 23rd ITER Council | Pace and performance on track

    Working as an integrated team, the ITER Organization and seven Domestic Agencies are continuing to meet the project's demanding schedule to First Plasma in 2025 [...]

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  • Huffing and puffing | Testing the endurance of steering mirrors

    On the computer screen, a set of three metal bellows 'breathe' in a steady rhythm. Nuclear engineer Natalia Casal and materials engineer Toshimichi Omori are on [...]

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  • ITER R&D | News from the Neutral Beam Test Facility

    At Consorzio RFX, where ITER's most powerful external heating system will be tested in advance, activities are progressing well on two distinct test beds. ITE [...]

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  • Vacuum vessel welding | Rehearsing a grand production

    There is a place near Santander, Spain, where one can actually feel what ITER will be like. Although we've seen dozens of drawings and 3D animations, the encoun [...]

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  • Image of the week | A plasma-enlightened training course

    The Vacuum Section hosted approximately 40 people last week from the ITER Organization and the Domestic Agencies for a two-day training session on vacuum. [...]

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Of Interest

See archived entries

A newcomer in the crèche



A newcomer has joined the traditional figures of the Provençal nativity scene (the crèche) that families, churches and municipalities set up in the weeks before Christmas.

The newcomer wears a white lab coat and ponders complex equations on a blackboard — he's a scientist working for ITER, as evidenced by the badge hanging from his neck.

For the moment, the clay figure (santon) of the ITER scientist is only visible in the lobby of ITER Headquarters. Just like in the tree-lighting ceremony that was held on 9 December, he is standing next to the village mayor. (The mayor of Saint-Paul-Lez-Durance gifts a large Christmas tree every year to the ITER Organization.)

But as ITER roots dig deeper and deeper into the soil of Provence, the clay figure of the ITER scientist will become as familiar — and as legitimate — as the fisherman, the miller, the scissor grinder and all the figures that reflect daily life in the towns and villages of Provence.



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