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News & Media

Latest ITER Newsline

  • Art and ITER | Two sisters, two suns and a monument to fusion

    Amid the gentle slopes of Asciano, Italy, there stands a stone window that frames the Sun on the summer solstice. It looks as though it might have always been t [...]

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  • Staff | The men and women of ITER

    They hail from Ahmedabad and Prague ... from Naka and Moscow ... from Seoul, Hefei, Atlanta and hundreds of other towns and cities across the 35 nations partici [...]

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  • ITER Talks | All about ITER and fusion

    Beginning this autumn, the ITER Organization will be launching a new video series to inform, inspire and educate. The first video—introducing the series and off [...]

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  • Image of the week | A majestic components enters the stage

    The floor of the Assembly Hall is an ever-changing stage. Like characters in a grand production, components of all size and shapes make a spectacular entry, pl [...]

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  • Magnet system | A set of spares for the long journey

    In about five years, ITER will embark on a long journey through largely uncharted territory. Conditions will be harsh and—despite all the calculations, modellin [...]

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Of Interest

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Image of the week

Sandblasting

Whether at home or in a nuclear installation, a painting job begins with surface preparation. In the ITER Tokamak Pit, close to 3,000 square metres of wall need to be sandblasted prior to being coated with thick, smooth, decontaminable "nuclear paint."

30 tonnes of abrasive sand projected with high pressure on the inside wall of the Tokamak Pit have created the rough surface that optimizes nuclear paint adherence. (Click to view larger version...)
30 tonnes of abrasive sand projected with high pressure on the inside wall of the Tokamak Pit have created the rough surface that optimizes nuclear paint adherence.
Working in two shifts from five suspended platforms, workers have used more than 30 tonnes of abrasive sand to create a rough surface that optimizes paint adherence.

The operation, which began in mid-March, should be finalized this week. Painting will begin in earnest shortly, as soon as hot air blowers have brought the vast volume of the Pit (25,000 cubic metres) to the required temperature of ~20 °C.


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