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News & Media

Latest ITER Newsline

  • Fusion world | A helium campaign kicks off at JET

    After achieving record-breaking results on the Joint European Torus during 2021 experiments with the high-performance fuel mix of deuterium and tritium, EUROfus [...]

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  • Coil winding table | Seven years of faithful service

    In November 2015, workers from the European contractor Sea Alp Engineering, an Italian company based in Turin, began installing a large circular structure at th [...]

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  • Image of the week | Down under

    It has been close to five months since the first vacuum vessel module was installed in the Tokamak pit. The view from above is by now familiar: a huge D-sha [...]

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  • On site | An annual reminder about safety

    ITER's Safety and Quality Department knows: you can never repeat an important message often enough. The second annual ITER Safety Day took place on 15 Septe [...]

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  • Top management | ITER Council appoints new Director-General

    Convening in an extraordinary session in Paris, the ITER Council has appointed Pietro Barabaschi as the next Director-General of the ITER Organization. Mr Barab [...]

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Of Interest

See archived entries

Image of week

Architectural challenges and solutions

An installation as massive as ITER, with a main complex rising 60 metres above ground and construction spreading over 42 hectares, could be a terrible eyesore and an offense to the beauty of its rural surroundings.

Photo EJF Riche - ITER Organization (Click to view larger version...)
Photo EJF Riche - ITER Organization
On the contrary, at ITER—thanks to the effort that went into its design and architecture—the scientific installation adds a spectacular touch to the landscape.

The architects at the Parisian firm ENIA, who planned the exterior aspect of the ITER buildings, wanted them to blend into the natural environment and at the same time express the highly technical nature of the research work being performed within.

The solution they chose, a cladding that alternates mirror-like stainless steel panels and grey-lacquered metal stripes, has proved efficient: on certain days, under certain light conditions, the buildings seem to disappear as they reflect the shades and colours of the changing skies.

In designing ITER Headquarters, Rudy Ricciotti—the award-winning architect of the Mucem museum in Marseille—and his local partner, Laurent Bonhomme, faced a different challenge: combining the functional requirements of a large office building with the daring architectural gesture that ITER deserved.

In their vision, the five-storey, 165-metre-long construction situated slightly below the ITER construction platform should be a "visual pedestal [...] a horizontal monolith responding to the exuberant verticality of the Tokamak Complex."

Here too, the architects succeeded. As is obvious in this picture, part of our most recent drone survey, architecture has bestowed a unique and unexpected beauty on ITER.



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