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News & Media

Latest ITER Newsline

  • Manufacturing | Completion of the first vacuum vessel gravity support

    The factory acceptance test on the first ITER vacuum vessel gravity support has been successfully completed at Haneul Engineering in Gunsan, Korea. Under the 8, [...]

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  • Technology | Hail showers in ASDEX Upgrade for ITER disruption mitigation

    Just before the 2021 Christmas holiday break, the team at the ASDEX Upgrade tokamak successfully fired frozen deuterium pellet fragments into a plasma as part o [...]

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  • Image of the week | Like a Meccano under the Christmas tree

    Like Erector set or Meccano parts scattered beneath the tree on Christmas morning, components for the ITER Tokamak cover the floor of the Assembly Hall, waiting [...]

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  • Poloidal field coils | 12 months saved on number two

    Whatever their size or position, the role of the ITER poloidal field coils is to shape and stabilize the plasma inside the vacuum vessel. However, as the plasma [...]

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  • Divertor dome | Russia delivers a full-scale prototype

    A multiyear qualification program in Russia has concluded with the successful manufacturing and testing of a full-scale divertor dome prototype at the Efremov I [...]

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Of Interest

See archived entries

Image of week

Architectural challenges and solutions

An installation as massive as ITER, with a main complex rising 60 metres above ground and construction spreading over 42 hectares, could be a terrible eyesore and an offense to the beauty of its rural surroundings.

Photo EJF Riche - ITER Organization (Click to view larger version...)
Photo EJF Riche - ITER Organization
On the contrary, at ITER—thanks to the effort that went into its design and architecture—the scientific installation adds a spectacular touch to the landscape.

The architects at the Parisian firm ENIA, who planned the exterior aspect of the ITER buildings, wanted them to blend into the natural environment and at the same time express the highly technical nature of the research work being performed within.

The solution they chose, a cladding that alternates mirror-like stainless steel panels and grey-lacquered metal stripes, has proved efficient: on certain days, under certain light conditions, the buildings seem to disappear as they reflect the shades and colours of the changing skies.

In designing ITER Headquarters, Rudy Ricciotti—the award-winning architect of the Mucem museum in Marseille—and his local partner, Laurent Bonhomme, faced a different challenge: combining the functional requirements of a large office building with the daring architectural gesture that ITER deserved.

In their vision, the five-storey, 165-metre-long construction situated slightly below the ITER construction platform should be a "visual pedestal [...] a horizontal monolith responding to the exuberant verticality of the Tokamak Complex."

Here too, the architects succeeded. As is obvious in this picture, part of our most recent drone survey, architecture has bestowed a unique and unexpected beauty on ITER.



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