This unusual start to the week was fully in sync with the creative, exploratory and future-driven spirit of the festival that aims to "explore what's next in the worlds of film, culture, music and technology" and that
celebrates the "unexpected discoveries that happen when diverse topics and people come together."
On one side of the ITER stand at South by Southwest, the North American company Vice Media offered "free stuff and baby goats." (Practicing yoga side-by-side with goats is apparently the latest therapeutic trend in a technology-dominated world.) On the other, Japanese exhibitors promoted "sushi teleportation"—or the ability to 3D print real food based on digitalization. Across the corridor, the German sound pioneer Sennheiser presented a real singer supported by a virtual guitar and saxophone, made visible on large pads through augmented reality.
The South By Southwest Festival (SXSW) is frequently referenced as the world's biggest and craziest event for the music, film, gamer and interactive industries—and for all pilgrims of the bitcoin and blockchain age. Held every March in Austin, Texas, since 1987, the festival now attracts upwards of 300,000 people. There is music for every taste, and the long queues in front of the theatres indicate that Steven Spielberg, Mark Hamill, Ethan Hawke and other prominent names of the film industry are in town.