Merci de renseigner votre adresse de messagerie électronique :
Votre adresse email ne sera utilisée que dans le cadre de campagnes d'information ITER Organization auxquelles vous êtes abonné. ITER Organization ne communiquera jamais votre adresse email et autres informations personnelles à quiconque ou dans le cadre d'informations commerciales.
Si vous changez d'avis, il vous est possible de vous désinscrire en cliquant sur le lien 'unsubscribe' visible dans vos emails provenant d'ITER Organization.
Sitting in his cabin 80 metres above the ground, Alex Dumonteil enjoys a most spectacular view. To the north, on a clear day, he can see as far as the Alpine ridge covered in eternal snow; to the south he has a clear view of the Sainte Victoire—the "mountain" that inspired Cézanne, Renoir, Kandinsky and several other art luminaries from the past two centuries.
Alex Dumonteil is one of 18 crane operators working in shifts on the ITER construction site. Last week he opened his cabin (perched 80 metres above ground) to Newsline.
Although he is well aware of the landscape's artistic references, Alex doesn't dwell on them. He has a job to do, and it is one that requires his constant attention.
Alex is one of eighteen crane operators on the ITER worksite. One glance to the control screen, another toward the crane hook visible through the glass floor of his cabin, the right hand on a joystick ... he spends eight hours a day lifting construction material and equipment and positioning the loads with utmost precision wherever they are needed.
Last week, Alex opened his cabin to Newsline, providing a unique opportunity to see the ITER worksite through the eyes of a crane operator.