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ITER Design Handbook | Preserving the vital legacy of ITER
The contributions that ITER is making to fusion physics and engineering—through decades of decisions and implementation—are delivering insights to the fusion co [...]
Electron cyclotron heating | Aligning technology and physics
ITER, like other fusion devices, will rely on a mix of external heating technologies to bring the plasma to the temperature necessary for fusion. At a five-day [...]
As the massive ring-shaped coil inched its way from the Poloidal Field Coils Winding Facility, where it was manufactured, to the storage facility nearby where i [...]
Like a plume of white smoke rising from a cardinals' conclave to announce the election of a new pope, the tenuous vapour coming from one of the ITER cooling cel [...]
The global players in the energy sector convened in Rotterdam last week for the 26th edition of the World Energy Congress (WEC). The venue was well chosen, wit [...]
His black and white images of the stellarator Wendelstein 7-X have more resemblance to an alien spaceship than a fusion device. And, through his lens, the rather prosaic Poloidal Field Coils Winding Facility at ITER takes on another dimension.
Photo: Christian Luenig
German photographer Christian Luenig is well respected in the fields of documentary photography, photojournalism and photo arts. He has won many awards for his interpretation of architecture, technology and research — and even the occasional rave party. One of his most recent prizes was received for work on two German fusion devices, the Textor tokamak in Juelich and the Wendelstein stellarator in Greifswald.
"I have always been fascinated by capturing complex scientific projects, by translating high-tech into art. When I read about Wendelstein being assembled at the Max-Planck-Institute for Plasmaphysics I thought—I have to get in there! And so it was..."
It comes thus as no surprise that — having made contact with the fusion community - he wished to shoot the "the making of" at ITER.
The characteristic texture and particular lighting of Luenig's images comes from a technique called "tone mapping." Multiple exposures of one object are digitally layered and then rendered by a special program. The result is quite dramatic on metal surfaces such as fusion devices.
The image gallery below shows some of the results from his maiden visit to the ITER worksite. He will certainly be back once the assembly of the ITER machine is in full swing to create art from the ITER machine.
For more information about Christian Luenig and to view his work, visit www.arbeitsblende.de. (All images: Christian Lünig/ VG Bild und Kunst)
